Seitokai no Ichizon Lv.2 | Disclamer / DMCA | Gangster Land – Film complet (VOSTFR) 2 octobre 2018
For 1,532 reviews, this critic has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this critic grades 8.3 points lower than other critics. (0-100 point scale)

Rob Owen's Scores

Average review score: 59
Highest review score: 100 Mad Men: Season 6
Lowest review score: 0 Do Not Disturb: Season 1
Score distribution:
1532 tv reviews
    • 83 Metascore
    • 80 Rob Owen
    The pace is deliberate in “Homecoming,” but the show is rarely boring thanks to the visuals and an investment in the characters. (After episode eight, when a major reveal happens, “Homecoming” gets a little draggy, but by then invested viewers will carry through to the end.)
    • 62 Metascore
    • 65 Rob Owen
    The hammy wink Mr. Spacey brought to these breaking-the-fourth-wall moments was fun in the beginning, but they grew tiresome and predictable. At this point, it’s probably better to breathe fresher air into the proceedings, which Ms. Wright does. Claire as the lead offers a different perspective, a worthy way to end a series that launched hundreds of other shows.
    • 74 Metascore
    • 70 Rob Owen
    The show is at its best when it deals with the ways in which she is torn between two cultures--the mortal world of her high school and the witchy world of her birthright--and when it depicts how Sabrina’s avowed feminism conflicts with aspects of her religion.
    • 40 Metascore
    • 55 Rob Owen
    To be sure, there are interesting ideas floating around in Heathers but surely too many at once.
    • 75 Metascore
    • 69 Rob Owen
    Some of the problems that existed on “Roseanne” this past spring are still areas of concern in “The Conners,” most notably the acting by some of the show’s secondary cast members. And there are occasional groaner bits of dialogue. But reliably winning performances from stars John Goodman, Laurie Metcalf and Sara Gilbert continue to carry the series.
    • 50 Metascore
    • 48 Rob Owen
    Mostly it looks down its nose at almost all of its strident-in-their-own-way characters. Juliette Lewis (“Cape Fear”) enlivens the series as a crunchy hippie who clashes with Kathryn, but ultimately she’s as much a caricature as all the others.
    • 55 Metascore
    • 68 Rob Owen
    Another superhero show is overkill, but for what it is, Titans strong-arms its way into acceptance and occasionally more (the series’ depiction of a Beaver Cleaver-style family of killers, introduced in episode two, is especially clever).
    • 56 Metascore
    • 75 Rob Owen
    [“The Violet Hour”] takes some unexpected and some predictable turns along the way, but it’s ultimately an enjoyable, charming story. ... “The Royal We” is less involving than “The Violet Hour.” Shelly’s story proves more compelling than Michael’s and the Romanoff theme is more pronounced and bizarre. ... [The third episode is] the second best of the first three episodes made available for review.
    • 55 Metascore
    • 60 Rob Owen
    The “Charmed” redo is stronger when it goes for a laugh--at moments the style of humor brings to mind “Buffy the Vampire Slayer”--than when it goes all-in on supernatural theatrics involving its three sister lead characters.
    • 63 Metascore
    • 65 Rob Owen
    It’s a well-made teen drama pilot that traffics (mildly) in some social issues and ends with a welcome, soapy wallop.
    • 53 Metascore
    • 62 Rob Owen
    This new “Murphy Brown” is it at its best when the show is most topical, when Murphy is at her most outspoken as Ms. Bergen still delivers a zinger-filled rant flawlessly. ... There’s an obvious fire-in-the-belly for these scenes, but they’re surrounded by a lot of dated sitcom cliches.
    • 55 Metascore
    • 52 Rob Owen
    Jokes about farts, falling down, hypersexualized kids and grabbing the wrong person’s rear end ensue--but they’re obvious, predictable and not funny.
    • 51 Metascore
    • 50 Rob Owen
    The soapy drama turns out to be a bit too much, and if that’s what the creators think is necessary to sustain the show, it might hint at structural flaws that a TV series can’t overcome.
    • 67 Metascore
    • 75 Rob Owen
    Fall’s funniest new comedy.
    • 47 Metascore
    • 52 Rob Owen
    It’s a fine if unremarkable broadcast network-style series.
    • 57 Metascore
    • 52 Rob Owen
    Black and white pedestrian characters and plots may satisfy traditional CBS viewers, but it won’t win over many new recruits.
    • 55 Metascore
    • 52 Rob Owen
    Seems like it should be a movie instead of a serialized weekly series.
    • 48 Metascore
    • 55 Rob Owen
    It’s fine, escapist fare but lacking in much imagination.
    • 61 Metascore
    • 70 Rob Owen
    Some viewers may find “The First” too slow, especially in the first two episodes, but “The First” becomes more engrossing as it unfurls, especially when the show’s scope broadens out from Tom and explores the other characters.
    • 67 Metascore
    • 60 Rob Owen
    Directed by Michel Gondry, Kidding occasionally shows sparks of the magic he brought to his previous collaboration with Mr. Carrey, “Eternal Sunshine of the Spotless Mind,” but there’s not enough of the show-within-a-show for Mr. Gondry’s wonderfully wacko visual style to get much play.
    • 46 Metascore
    • 55 Rob Owen
    There are occasional glimpses of “Seinfeld”-style humor. ... But the pilot is neither as funny as that NBC classic nor as topical as “The Carmichael Show.”
    • 74 Metascore
    • 75 Rob Owen
    It’s been a while since basic cable has delivered a guilty pleasure as enticing and entertaining as Lifetime’s stalker drama You.
    • 57 Metascore
    • 65 Rob Owen
    While the character drama is compelling and often well-acted, the viciousness of this world proves a barrier to entry some viewers will understandably choose not to cross.
    • 66 Metascore
    • 70 Rob Owen
    Filmic in its look and style – the series screams “big budget” – “Jack Ryan” has its exciting moments, and even when there are not explosions on screen, the presence of the always-likeable Mr. Krasinski easily pulls viewers through to the next exciting action set piece.
    • 64 Metascore
    • 77 Rob Owen
    The first episode of “One Dollar” wallows in the struggles of several sad sack characters and jumps around a confusing amount as it introduces the unwieldy, large cast, but the show becomes more engrossing in episodes two and three. “One Dollar” hits its stride by episode six, proving it’s a worthy addition to the Peak TV era.
    • 22 Metascore
    • 30 Rob Owen
    What began as a sublimely ridiculous pop culture sensation devolved over its first five films into just a junky exercise in bloated storytelling and C-list celebrity-spotting. No. 6 is more of the same with an often nonsensical time travel story.
    • 56 Metascore
    • 58 Rob Owen
    The first two episodes of “Disenchantment” are more amusing than funny with entertaining enough puns and parodies of modern-day brands in the names of shops in the Kingdom of Dreamland.
    • 69 Metascore
    • 65 Rob Owen
    Lodge 49 goes down easy but perhaps too easy. It feels unessential in the 500-series era, an OK diversion but not a must-see series.
    • 87 Metascore
    • 80 Rob Owen
    The season premiere, written by Mr. Gould, serves as a warm-up act for the season’s more gripping second episode that features at least two remarkable scenes with bravura performances: Jimmy self-sabotaging and Kim, in a searing performance by Ms. Seehorn, ripping into Howard Hamlin (Patrick Fabian).
    • 66 Metascore
    • 78 Rob Owen
    Through its first three episodes, Castle Rock builds out its world and character relationships thoughtfully and deliberately. Whether it holds up through the entire 10-episode first season remains to be seen, but Castle Rock gets off to a strong, engrossing start.

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